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JIM LAUDERDALE

Jim Lauderdale - Press Photo_edited.jpg
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Jim Lauderdale is a 2-time Grammy winning music legend, an A-list Nashville songwriter whose songs have been hits for George Strait, Blake Shelton, The Chicks, Gary Allan and more. His eclectic catalogue of albums runs the gamut of roots styles, from bluegrass to R&B to his first
love, traditional country music, on his 35th LP ‘Game Changer’.


From the start of his career, Jim Lauderdale has been creating his own musical world. Too expansive, eclectic and creatively curious to fit into any prescribed genre boxes, he innovated what is now called Americana music, long before there was a term for it. Everything about the man and his music is classic and timeless, but he’s a total original. The McCartney-esque melodies sung in his aching high lonesome tenor, the fiercely authentic bluegrass songs with mind-expanding psychedelic lyrics… nothing about Jim’s music can be reduced to a single influence, and no other songwriter would fuse these classic strains of tune-craft into such
unexpected but immediately satisfying combinations.


The scion of a preacher dad and music teacher mom in rural North Carolina, Jim’s world was turned upside as a kid when he saw the Beatles’ explosive debut on Ed Sullivan, rewiring his creative mind. Teaching himself a variety of instruments, Jim explored songwriting as a
teenager, fueled by a musical diet that ran the gamut from George Jones to the Grateful Dead, Al Green to the Stanley Brothers.


A visit to Nashville opened Jim’s eyes to how hard he would need to work to realize his dreams of emulating his troubadour heroes – recording a bluegrass album with legendary mandolin player Roland White, but unable to find a record deal (the album was finally released in 2018).

 

In 1980, Jim headed to New York City to cut his teeth in the country clubs, making fast friends with fellow musical iconoclasts like Buddy Miller and Shawn Colvin. Jim honed his live chops and graduated to Los Angeles, where he spent the late 80s at the center of the fiery alt-country scene alongside Lucinda Williams and Dwight Yoakam, packing out the Palomino Club and catching the eyes of the local crowds and industry alike, leading to his first record deal.

 

While his classic 90s albums like ‘Planet of Love’ and ‘Pretty Close to the Truth’ drew him rave reviews, Lauderdale’s musical style was too eclectic to fit easily into the major label country box. There was no genre label for a left-of-center blend of country, blues, rock, soul, folk and bluegrass, so Jim had to pioneer one. These days, the identity of Americana music and Jim Lauderdale are one and the same. The first ever winner of the Americana Music Association’s Song and Artist of the Year trophies and the honorary Wagonmaster award, Jim also served as host of the awards for many years. While some people struggle to define what Americana
music is, others just point to Jim’s eclectic but totally cohesive catalogue as the defining example.


Although he never got to work with his idol Gram Parsons, who Jim immortalized in his classic signature song ‘The King of Broken Hearts’ (also the title of a feature documentary on Jim), Lauderdale has realized that great dream of any musician – to stand shoulder to shoulder
making music with his biggest inspirations. His duet albums with bluegrass icon Dr Ralph
Stanley earned Jim his first Grammy award, he penned albums worth of bluegrass gems with the late Grateful Dead lyricist Robert Hunter and he’s on a short list that includes Paul McCartney and Burt Bacharach as a writing partner of Elvis Costello.


It’s no wonder that artists from Willie Nelson to John Oates line up to collaborate with Jim, hoping to snare some of that Lauderdale magic. After all, his songs have helped sell millions of albums for artists like George Strait, the Chicks, Patty Loveless, Lee Ann Womack, Blake Shelton, Solomon Burke, Gary Allan and Vince Gill. Classic songs like ‘Where the Sidewalk Ends’, ‘You Don’t Seem to Miss Me’, ‘Hole in My Head’, ‘Halfway Down’, ‘We Really Shouldn’t Be Doing This’ and many more have come from his pen.

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